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When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
In a 1982 essay, Halley wrote that the idealist square becomes the prison made
Geoetry is revealed as confinementIn other dawer words just architectural in
structure When institutions present large exhibitions of iconic, deceased artists, their primary objective is often to ask.